The shit I like
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fer1972:

Paintings by Daniel Martin
fer1972:

Paintings by Daniel Martin
fer1972:

Paintings by Daniel Martin
fer1972:

Paintings by Daniel Martin
fer1972:

Paintings by Daniel Martin
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visualgraphc:

Marta Gawin: 3 Jazz Art Festival Katowice
visualgraphc:

Marta Gawin: 3 Jazz Art Festival Katowice
visualgraphc:

Marta Gawin: 3 Jazz Art Festival Katowice
visualgraphc:

Marta Gawin: 3 Jazz Art Festival Katowice
visualgraphc:

Marta Gawin: 3 Jazz Art Festival Katowice
visualgraphc:

Marta Gawin: 3 Jazz Art Festival Katowice
visualgraphc:

Marta Gawin: 3 Jazz Art Festival Katowice
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ryanpanos:

Landesgartenschau Exhibition Hall | ICD/ITKE/IIGS University of Stuttgart | Via
The Landesgartenschau Exhibition Hall is an architectural prototype building and a showcase for the current developments in computational design and robotic fabrication for lightweight timber construction. Funded by the European Union and the state of Baden‐Württemberg, the building is the first to have its primary structure entirely made of robotically prefabricated beech plywood plates. The newly developed timber construction offers not only innovative architectural possibilities; it is also highly resource efficient, with the load bearing plate structure being just 50mm thin. This is made possible through integrative computational design, simulation, fabrication and surveying methods.
ryanpanos:

Landesgartenschau Exhibition Hall | ICD/ITKE/IIGS University of Stuttgart | Via
The Landesgartenschau Exhibition Hall is an architectural prototype building and a showcase for the current developments in computational design and robotic fabrication for lightweight timber construction. Funded by the European Union and the state of Baden‐Württemberg, the building is the first to have its primary structure entirely made of robotically prefabricated beech plywood plates. The newly developed timber construction offers not only innovative architectural possibilities; it is also highly resource efficient, with the load bearing plate structure being just 50mm thin. This is made possible through integrative computational design, simulation, fabrication and surveying methods.
ryanpanos:

Landesgartenschau Exhibition Hall | ICD/ITKE/IIGS University of Stuttgart | Via
The Landesgartenschau Exhibition Hall is an architectural prototype building and a showcase for the current developments in computational design and robotic fabrication for lightweight timber construction. Funded by the European Union and the state of Baden‐Württemberg, the building is the first to have its primary structure entirely made of robotically prefabricated beech plywood plates. The newly developed timber construction offers not only innovative architectural possibilities; it is also highly resource efficient, with the load bearing plate structure being just 50mm thin. This is made possible through integrative computational design, simulation, fabrication and surveying methods.
ryanpanos:

Landesgartenschau Exhibition Hall | ICD/ITKE/IIGS University of Stuttgart | Via
The Landesgartenschau Exhibition Hall is an architectural prototype building and a showcase for the current developments in computational design and robotic fabrication for lightweight timber construction. Funded by the European Union and the state of Baden‐Württemberg, the building is the first to have its primary structure entirely made of robotically prefabricated beech plywood plates. The newly developed timber construction offers not only innovative architectural possibilities; it is also highly resource efficient, with the load bearing plate structure being just 50mm thin. This is made possible through integrative computational design, simulation, fabrication and surveying methods.
ryanpanos:

Landesgartenschau Exhibition Hall | ICD/ITKE/IIGS University of Stuttgart | Via
The Landesgartenschau Exhibition Hall is an architectural prototype building and a showcase for the current developments in computational design and robotic fabrication for lightweight timber construction. Funded by the European Union and the state of Baden‐Württemberg, the building is the first to have its primary structure entirely made of robotically prefabricated beech plywood plates. The newly developed timber construction offers not only innovative architectural possibilities; it is also highly resource efficient, with the load bearing plate structure being just 50mm thin. This is made possible through integrative computational design, simulation, fabrication and surveying methods.
ryanpanos:

Landesgartenschau Exhibition Hall | ICD/ITKE/IIGS University of Stuttgart | Via
The Landesgartenschau Exhibition Hall is an architectural prototype building and a showcase for the current developments in computational design and robotic fabrication for lightweight timber construction. Funded by the European Union and the state of Baden‐Württemberg, the building is the first to have its primary structure entirely made of robotically prefabricated beech plywood plates. The newly developed timber construction offers not only innovative architectural possibilities; it is also highly resource efficient, with the load bearing plate structure being just 50mm thin. This is made possible through integrative computational design, simulation, fabrication and surveying methods.
ryanpanos:

Landesgartenschau Exhibition Hall | ICD/ITKE/IIGS University of Stuttgart | Via
The Landesgartenschau Exhibition Hall is an architectural prototype building and a showcase for the current developments in computational design and robotic fabrication for lightweight timber construction. Funded by the European Union and the state of Baden‐Württemberg, the building is the first to have its primary structure entirely made of robotically prefabricated beech plywood plates. The newly developed timber construction offers not only innovative architectural possibilities; it is also highly resource efficient, with the load bearing plate structure being just 50mm thin. This is made possible through integrative computational design, simulation, fabrication and surveying methods.
ryanpanos:

Landesgartenschau Exhibition Hall | ICD/ITKE/IIGS University of Stuttgart | Via
The Landesgartenschau Exhibition Hall is an architectural prototype building and a showcase for the current developments in computational design and robotic fabrication for lightweight timber construction. Funded by the European Union and the state of Baden‐Württemberg, the building is the first to have its primary structure entirely made of robotically prefabricated beech plywood plates. The newly developed timber construction offers not only innovative architectural possibilities; it is also highly resource efficient, with the load bearing plate structure being just 50mm thin. This is made possible through integrative computational design, simulation, fabrication and surveying methods.
ryanpanos:

Landesgartenschau Exhibition Hall | ICD/ITKE/IIGS University of Stuttgart | Via
The Landesgartenschau Exhibition Hall is an architectural prototype building and a showcase for the current developments in computational design and robotic fabrication for lightweight timber construction. Funded by the European Union and the state of Baden‐Württemberg, the building is the first to have its primary structure entirely made of robotically prefabricated beech plywood plates. The newly developed timber construction offers not only innovative architectural possibilities; it is also highly resource efficient, with the load bearing plate structure being just 50mm thin. This is made possible through integrative computational design, simulation, fabrication and surveying methods.
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cross-connect:

Wire mesh sculptures by Italian artist Edoardo Tresoldi
Behance | Facebook
Posted to Cross Connect by Miyuki
cross-connect:

Wire mesh sculptures by Italian artist Edoardo Tresoldi
Behance | Facebook
Posted to Cross Connect by Miyuki
cross-connect:

Wire mesh sculptures by Italian artist Edoardo Tresoldi
Behance | Facebook
Posted to Cross Connect by Miyuki
cross-connect:

Wire mesh sculptures by Italian artist Edoardo Tresoldi
Behance | Facebook
Posted to Cross Connect by Miyuki
cross-connect:

Wire mesh sculptures by Italian artist Edoardo Tresoldi
Behance | Facebook
Posted to Cross Connect by Miyuki
cross-connect:

Wire mesh sculptures by Italian artist Edoardo Tresoldi
Behance | Facebook
Posted to Cross Connect by Miyuki
cross-connect:

Wire mesh sculptures by Italian artist Edoardo Tresoldi
Behance | Facebook
Posted to Cross Connect by Miyuki
cross-connect:

Wire mesh sculptures by Italian artist Edoardo Tresoldi
Behance | Facebook
Posted to Cross Connect by Miyuki
cross-connect:

Wire mesh sculptures by Italian artist Edoardo Tresoldi
Behance | Facebook
Posted to Cross Connect by Miyuki
cross-connect:

Wire mesh sculptures by Italian artist Edoardo Tresoldi
Behance | Facebook
Posted to Cross Connect by Miyuki
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mymodernmet:

Japanese artist Azuma Makoto recently ventured to Nevada’s Black Rock Desert to launch a 50-year-old pine bonsai and a colorful floral arrangement into space. The mission, titled Exobotanica, aimed to explore the transformation of the plants into exobiota (extraterrestrial life) in outer space.
mymodernmet:

Japanese artist Azuma Makoto recently ventured to Nevada’s Black Rock Desert to launch a 50-year-old pine bonsai and a colorful floral arrangement into space. The mission, titled Exobotanica, aimed to explore the transformation of the plants into exobiota (extraterrestrial life) in outer space.
mymodernmet:

Japanese artist Azuma Makoto recently ventured to Nevada’s Black Rock Desert to launch a 50-year-old pine bonsai and a colorful floral arrangement into space. The mission, titled Exobotanica, aimed to explore the transformation of the plants into exobiota (extraterrestrial life) in outer space.
mymodernmet:

Japanese artist Azuma Makoto recently ventured to Nevada’s Black Rock Desert to launch a 50-year-old pine bonsai and a colorful floral arrangement into space. The mission, titled Exobotanica, aimed to explore the transformation of the plants into exobiota (extraterrestrial life) in outer space.
mymodernmet:

Japanese artist Azuma Makoto recently ventured to Nevada’s Black Rock Desert to launch a 50-year-old pine bonsai and a colorful floral arrangement into space. The mission, titled Exobotanica, aimed to explore the transformation of the plants into exobiota (extraterrestrial life) in outer space.
mymodernmet:

Japanese artist Azuma Makoto recently ventured to Nevada’s Black Rock Desert to launch a 50-year-old pine bonsai and a colorful floral arrangement into space. The mission, titled Exobotanica, aimed to explore the transformation of the plants into exobiota (extraterrestrial life) in outer space.
mymodernmet:

Japanese artist Azuma Makoto recently ventured to Nevada’s Black Rock Desert to launch a 50-year-old pine bonsai and a colorful floral arrangement into space. The mission, titled Exobotanica, aimed to explore the transformation of the plants into exobiota (extraterrestrial life) in outer space.
mymodernmet:

Japanese artist Azuma Makoto recently ventured to Nevada’s Black Rock Desert to launch a 50-year-old pine bonsai and a colorful floral arrangement into space. The mission, titled Exobotanica, aimed to explore the transformation of the plants into exobiota (extraterrestrial life) in outer space.
mymodernmet:

Japanese artist Azuma Makoto recently ventured to Nevada’s Black Rock Desert to launch a 50-year-old pine bonsai and a colorful floral arrangement into space. The mission, titled Exobotanica, aimed to explore the transformation of the plants into exobiota (extraterrestrial life) in outer space.
mymodernmet:

Japanese artist Azuma Makoto recently ventured to Nevada’s Black Rock Desert to launch a 50-year-old pine bonsai and a colorful floral arrangement into space. The mission, titled Exobotanica, aimed to explore the transformation of the plants into exobiota (extraterrestrial life) in outer space.
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aros:

Phoenix Valley / studio505
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cabbagerose:

wayzata residence/coen + partners
via: larsbach
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asylum-art:

Javier Pérez 
"Trans (formaciones) I"  2010
Javier Pérez was born in Bilbao in 1968.  He lives and works in Barcelona. His work is permeated by a strong symbolism and accompanied by an intense use of metaphor.The artist’s favorite subjects for addressing the impermanence and cyclic nature of life are the body and time. Works such asMutaciones (2004), a mixed media installation exhibited at the Palacio de Cristal in Madrid, or Tempus fugit (2002) emphasize the inexorable passage of time and the inevitable traces that it leaves on the body from a biological but, above all, from an existential point of view. To create his art, Pérez uses strong, often antithetical means of communication like horse hair and polyester, silkworm cocoons and ceramics, or cattle intestines and blown glass.
asylum-art:

Javier Pérez 
"Trans (formaciones) I"  2010
Javier Pérez was born in Bilbao in 1968.  He lives and works in Barcelona. His work is permeated by a strong symbolism and accompanied by an intense use of metaphor.The artist’s favorite subjects for addressing the impermanence and cyclic nature of life are the body and time. Works such asMutaciones (2004), a mixed media installation exhibited at the Palacio de Cristal in Madrid, or Tempus fugit (2002) emphasize the inexorable passage of time and the inevitable traces that it leaves on the body from a biological but, above all, from an existential point of view. To create his art, Pérez uses strong, often antithetical means of communication like horse hair and polyester, silkworm cocoons and ceramics, or cattle intestines and blown glass.
asylum-art:

Javier Pérez 
"Trans (formaciones) I"  2010
Javier Pérez was born in Bilbao in 1968.  He lives and works in Barcelona. His work is permeated by a strong symbolism and accompanied by an intense use of metaphor.The artist’s favorite subjects for addressing the impermanence and cyclic nature of life are the body and time. Works such asMutaciones (2004), a mixed media installation exhibited at the Palacio de Cristal in Madrid, or Tempus fugit (2002) emphasize the inexorable passage of time and the inevitable traces that it leaves on the body from a biological but, above all, from an existential point of view. To create his art, Pérez uses strong, often antithetical means of communication like horse hair and polyester, silkworm cocoons and ceramics, or cattle intestines and blown glass.
asylum-art:

Javier Pérez 
"Trans (formaciones) I"  2010
Javier Pérez was born in Bilbao in 1968.  He lives and works in Barcelona. His work is permeated by a strong symbolism and accompanied by an intense use of metaphor.The artist’s favorite subjects for addressing the impermanence and cyclic nature of life are the body and time. Works such asMutaciones (2004), a mixed media installation exhibited at the Palacio de Cristal in Madrid, or Tempus fugit (2002) emphasize the inexorable passage of time and the inevitable traces that it leaves on the body from a biological but, above all, from an existential point of view. To create his art, Pérez uses strong, often antithetical means of communication like horse hair and polyester, silkworm cocoons and ceramics, or cattle intestines and blown glass.
asylum-art:

Javier Pérez 
"Trans (formaciones) I"  2010
Javier Pérez was born in Bilbao in 1968.  He lives and works in Barcelona. His work is permeated by a strong symbolism and accompanied by an intense use of metaphor.The artist’s favorite subjects for addressing the impermanence and cyclic nature of life are the body and time. Works such asMutaciones (2004), a mixed media installation exhibited at the Palacio de Cristal in Madrid, or Tempus fugit (2002) emphasize the inexorable passage of time and the inevitable traces that it leaves on the body from a biological but, above all, from an existential point of view. To create his art, Pérez uses strong, often antithetical means of communication like horse hair and polyester, silkworm cocoons and ceramics, or cattle intestines and blown glass.
asylum-art:

Javier Pérez 
"Trans (formaciones) I"  2010
Javier Pérez was born in Bilbao in 1968.  He lives and works in Barcelona. His work is permeated by a strong symbolism and accompanied by an intense use of metaphor.The artist’s favorite subjects for addressing the impermanence and cyclic nature of life are the body and time. Works such asMutaciones (2004), a mixed media installation exhibited at the Palacio de Cristal in Madrid, or Tempus fugit (2002) emphasize the inexorable passage of time and the inevitable traces that it leaves on the body from a biological but, above all, from an existential point of view. To create his art, Pérez uses strong, often antithetical means of communication like horse hair and polyester, silkworm cocoons and ceramics, or cattle intestines and blown glass.
asylum-art:

Javier Pérez 
"Trans (formaciones) I"  2010
Javier Pérez was born in Bilbao in 1968.  He lives and works in Barcelona. His work is permeated by a strong symbolism and accompanied by an intense use of metaphor.The artist’s favorite subjects for addressing the impermanence and cyclic nature of life are the body and time. Works such asMutaciones (2004), a mixed media installation exhibited at the Palacio de Cristal in Madrid, or Tempus fugit (2002) emphasize the inexorable passage of time and the inevitable traces that it leaves on the body from a biological but, above all, from an existential point of view. To create his art, Pérez uses strong, often antithetical means of communication like horse hair and polyester, silkworm cocoons and ceramics, or cattle intestines and blown glass.
asylum-art:

Javier Pérez 
"Trans (formaciones) I"  2010
Javier Pérez was born in Bilbao in 1968.  He lives and works in Barcelona. His work is permeated by a strong symbolism and accompanied by an intense use of metaphor.The artist’s favorite subjects for addressing the impermanence and cyclic nature of life are the body and time. Works such asMutaciones (2004), a mixed media installation exhibited at the Palacio de Cristal in Madrid, or Tempus fugit (2002) emphasize the inexorable passage of time and the inevitable traces that it leaves on the body from a biological but, above all, from an existential point of view. To create his art, Pérez uses strong, often antithetical means of communication like horse hair and polyester, silkworm cocoons and ceramics, or cattle intestines and blown glass.
asylum-art:

Javier Pérez 
"Trans (formaciones) I"  2010
Javier Pérez was born in Bilbao in 1968.  He lives and works in Barcelona. His work is permeated by a strong symbolism and accompanied by an intense use of metaphor.The artist’s favorite subjects for addressing the impermanence and cyclic nature of life are the body and time. Works such asMutaciones (2004), a mixed media installation exhibited at the Palacio de Cristal in Madrid, or Tempus fugit (2002) emphasize the inexorable passage of time and the inevitable traces that it leaves on the body from a biological but, above all, from an existential point of view. To create his art, Pérez uses strong, often antithetical means of communication like horse hair and polyester, silkworm cocoons and ceramics, or cattle intestines and blown glass.
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nerdsandgamersftw:

Retro Nintendo
By Marius Volden
nerdsandgamersftw:

Retro Nintendo
By Marius Volden
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justindidit:

3rd Eye Vision with Denzel Curry
Eyes Of The World Tour
Seattle, WA
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untrustyou:

Bridget Collins
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crystalsiasella:
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